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Capo chord chart12/16/2023 What makes us different from a mainstream rock band is we’re not scared to go a bit more alternative. “I had this massive rock opera thing in my head, and that middle section in there is, to me, very Feeder. I wanted it to be a classic rock song – with classic chord changes like, say, Boston’s More Than A Feeling, but undeniably us too. When you can get that to work, it’s just the best. The best songs I’ve ever written – and the best songs in rock ’n’ roll – are usually three or four chords. I like us to sound heavy and powerful, but effortlessly so rather than forced, and aggressive It’s classic Feeder – it’s got the quiet, clean bits, the riffs, the anthemic chorus and the textures, which is what I’m all about. “The song on Torpedo that sums me up as a player over the last twenty or thirty years of being in the band is When It All Breaks Down. My Vox AC30 and a Fender Hot Rod Deville were recorded through Palmer speaker simulators – when you’re working in a small space and can’t crank it out, speaker sims can be really good.”Īim to have your own sound, your own musical identity “When I do the heavy songs I track all the rhythm parts in standard tuning through my Marshall JMP head, which has been on every Feeder track since Swim. It’s got quite low-output pickups which I like for recording. “As far as guitars, I used my custom ESP and Custom Shop Strat, but my original ’59 ‘Old Brown’ Jazzmaster is still my go-to electric. When you’re working in a small space and can’t crank it out, speaker sims can be really good The main riff for the song Torpedo would’ve been a combination of a Green Big Muff, Tone Bender, an Ibanez Tube Screamer set almost clean and some other stuff. “When I’m recording I like to have loads of pedals all over the studio floor, so I’ve got that freedom to plug things in in different ways and experiment. I’ve been using a custom-made ELF fuzz by a Japanese company called RoShi Pedals, along with a Green Big Muff, vintage Tone Benders, my Pete Cornish overdrive, a Memory Man – I’ve been using them since day one – and a RayGun Meatropolis fuzz. “I call my sound my ‘hovercraft’ sound, where there’s a lot of top and bottom to it, but I like to mess with new pedals, too. Many people are lazy and give up.Īnyhow, if you know the notes on your guitar, it's easy to figure out what basic chord shapes become when you apply the capo, or change the tuning, or what have you.Keep your favourite gear close, but try some new effects, too It might take you a year or more, and that's if you actually work at it. It's real work - don't overload yourself and expect to get it in a week or two. Meanwhile, learn all your scales and chords and so on, and be able to play them and spell them out as you play them. (This will get you up to the 12th fret and beyond). And go through it yet again and learn everything an octave higher than written. At the end, progress to book 2, but go back through book 1 and relearn all the exercises and songs at higher fret positions (forcing you to learn higher positions). It will also, potentially, help you learn many valuable skills.Īnyhow, say you go through book one of Hal Leonard. Go through a variety of method books for guitar, such as the Hal Leonard Guitar method. The way to do this is to learn to read music. It makes sense that a musician should know what they are actually doing on their instrument, right? It's like, how are you going to type meaningfully if you don't know where the letters are? Same idea. That sounds daunting, but it is basic knowledge that you should acquire if you are serious about music. Basically you just have to know what all the notes are on the neck.
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